State Theatre shines at Naledi Awards
Bongani Nicholas Ngomane: The South African State Theatre shines at the Naledi Awards, celebrating bold storytelling, powerful performances, and a season of excellence.
The South African State Theatre has once again affirmed its position as a national powerhouse of storytelling, innovation and artistic excellence, following a remarkable showing at the 21st Annual Naledi Theatre Awards. In an evening that celebrated the very best of South African theatre, the State Theatre’s creative footprint was not only visible, it was commanding, resonating through every category it touched.
At the heart of this triumph is a collective of artists whose work continues to shape, challenge and elevate the cultural landscape. Among the standout honours, Sylvia Glasser was awarded Best Choreography in a Dance, Physical Theatre and Ballet Production for Baobab, a work that embodies the poetic and physical possibilities of movement, rooted deeply in African expression and global resonance.
The monumental production The Fatherland The Revolutionary Story of Dr TT Cholo further cemented its legacy, with Mackenzie Matome, Shalate Sekhabi, and Zakhele Mabena receiving the award for Best Original Score, Musical Arrangement, Soundscape. Their sonic architecture did not merely accompany the narrative, it carried it, giving emotional depth and historical texture to a story of profound national importance.
In a powerful testament to the strength of performance, Ignatious van Heerden claimed Best Performance in a Solo Production for TransVaal Kucheza Festival, demonstrating the enduring power of the singular voice in theatre, intimate, vulnerable, and unapologetically present.
Equally compelling was Tshwarelo Selolo, who received Best Lead Performance in a Play for Stevovo The Puppeteer, delivering a performance marked by emotional intelligence, technical mastery, and an arresting stage presence that captivated audiences and adjudicators alike.
The excellence extended into design and technical artistry, with Sherldon Marema winning Best Theatre Set Design, a recognition of the visual worlds that frame and elevate performance, turning stages into living, breathing environments of imagination.
In musical theatre, Hlengiwe Lushaba was honoured with Best Supporting Actress in a Musical Theatre Production for Music In The Air, a performance that blended grace, strength and vocal brilliance, contributing to the richness of the production’s emotional landscape.
Pushing the boundaries of form and narrative, ProoiPrey, produced by Leftfoot Theatre Productions and The Drama Factory in association with the South African State Theatre, was awarded Best Cutting Edge Production. This recognition speaks to the State Theatre’s continued commitment to bold, experimental work that challenges conventions and redefines what theatre can be.
These awards are more than accolades, they are affirmations of a vision, one that places the South African State Theatre at the centre of artistic innovation, collaboration and cultural dialogue. They reflect a year of rigorous work, creative risk taking, and a deep commitment to telling stories that matter.
In a time where the arts continue to navigate complex socio-economic realities, these wins stand as a powerful reminder that theatre remains alive, necessary, and transformative. The South African State Theatre does not merely host productions, it cultivates movements, nurtures voices, and shapes the future of the performing arts in South Africa and beyond.
As the curtain falls on this year’s Naledi Theatre Awards, one thing is certain, the South African State Theatre is not just participating in the national conversation of theatre, it is leading it.
Bongani Nicholas Ngomane
nicholasngomane87@gmail.com
072 700 6030
SA Theatre Reviews
http://www.satheatre.co,za
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